‘You’ll laugh like a drain’ Stylist Dear Girls is Ali Wong’s collection of heartfelt and hilarious letters to her daughters covering everything they need to know in life, like the unpleasant details of dating, how to be a working mum in a male-dominated profession and how she trapped their dad. She shares the wisdom she’s learned from a life in comedy and reveals stories from her life off stage, including the brutal single life in New York (and the inevitable confrontation with erectile dysfunction), reconnecting with her roots (and drinking snake blood) in Vietnam and parenting war stories. Ali Wong’s letters are absurdly funny, surprisingly moving and enlightening (and gross) for all.

Kristen Arnett’s breakout bestseller is a darkly funny, big-hearted American debut about family, love, death and taxidermy! ‘This book is my song of the summer’ Parul Seghal, New York Times What does it take to come back to life? For Jessa-Lynn Morton, the question is not an abstract one. In the wake of her father’s suicide, Jessa has stepped up to manage his failing taxidermy business while the rest of the Morton family crumbles. Her mother starts sneaking into the taxidermy shop to make provocative animal art, while her brother, Milo, withdraws. And Brynn, Milo’s wife?and the only person Jessa’s ever been in love with?walks out without a word. It’s not until the Mortons reach a tipping point that a string of unexpected incidents begins to open up surprising possibilities and second chances. But will they be enough to salvage this family, to help them find their way back to one another? Kristen Arnett’s breakout bestseller is a darkly funny family portrait; a peculiar, bighearted look at love and loss and the ways we live through them together. ‘Messed-up families, scandalous love affairs, art, life, death and the great state of Florida in one delicious, darkly funny package. Kristen Arnett is a wickedly talented and a wholly original voice’ Jami Attenberg ‘There’s a gunslinger cool to every sentence . . . Kristen Arnett is the queen of the Florida no one has ever told you about’ Alexander Chee ‘The writing is subtle and meditative, with the tactile weight of dense fur’ The New Yorker

One of Vanity Fair’s Great Quarantine Reads: Step into Jenny Slate’s wild imagination in this “magical” (Mindy Kaling), “delicious” (Amy Sedaris), and “poignant” (John Mulaney) New York Times bestseller about love, heartbreak, and being alive — “this book is something new and wonderful” (George Saunders). You may “know” Jenny Slate from her Netflix special, Stage Fright, as the creator of Marcel the Shell, or as the star of “Obvious Child.” But you don’t really know Jenny Slate until you get bonked on the head by her absolutely singular writing style. To see the world through Jenny’s eyes is to see it as though for the first time, shimmering with strangeness and possibility. As she will remind you, we live on an ancient ball that rotates around a bigger ball made up of lights and gasses that are science gasses, not farts (don’t be immature). Heartbreak, confusion, and misogyny stalk this blue-green sphere, yes, but it is also a place of wild delight and unconstrained vitality, a place where we can start living as soon as we are born, and we can be born at any time. In her dazzling, impossible-to-categorize debut, Jenny channels the pain and beauty of life in writing so fresh, so new, and so burstingly alive, we catch her vision like a fever and bring it back out into the bright day with us, where everything has changed.

Richard Ayoade – in this foren, perhaps one of the most ‘insubstantial’ people of our age, takes us on a journey from Peckham to Paris by way of Nevada and other places we don’t care about. It’s a journey deep within, in a way that’s respectful and non-invasive; a journey for which we will all pay a heavy price, even if you’ve waited for the smaller paperback edition. Ayoade argues for the canonisation of this brutal masterpiece, a film that celebrates capitalism in all its victimless glory; one we might imagine Donald Trump himself half-watching on his private jet’s gold-plated flat screen while his other puffy eye scans the cabin for fresh, young prey.”

From Judd Apatow comes an intimate portrait of his mentor, the legendary stand-up comic and star of The Larry Sanders Show, with never-before-seen journal entries and photos, as well as new contributions by fellow comedians and writers. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NEW YORK Garry Shandling was a singular trailblazer in the comedy world. His two hit shows, It’s Garry Shandling’s Show and The Larry Sanders Show, broke new ground and influenced future sitcoms like 30 Rock and Curb Your Enthusiasm, and his stand-up laid the foundation for a whole new generation of comics. There’s no one better to tell Shandling’s story than Judd Apatow—Shandling gave Apatow one of his first jobs and remained his mentor for the rest of his life—and the book expands on Apatow’s Emmy Award-winning HBO documentary, The Zen Diaries of Garry Shandling. Here, Apatow has gathered journal entries, photographs, and essays for a close-up look at the artist who turned his gaze back onto the world of show business. Beyond his success, though, Shandling struggled with fame, the industry of art, and the childhood loss of his brother, which forever affected his personal and professional lives. His diaries show Shandling to be self-aware and insightful, revealing a deep philosophical and spiritual side. Contributions by comedians and other leading lights of the industry, as well as people who grew up with Shandling, along with never-before-seen pieces of scripts and brilliant jokes that he never performed, shed new light on every facet of his life and work. This book is the final word on the lasting impact of the great Garry Shandling.

If there’s one thing we can agree on in a post-Trump America, it’s that sexism exists. While there are myriad books on female friendship in the marketplace, Toxic Femininity is the first book on the special relationship between female coworkers and gender dynamics in the workplace to hit the market in a comedic gifty way. Talented humorist Ginny Hogan explores themes of sexism, workplace gender dynamics, and the challenges facing women at work (particularly in STEM fields) with disarming wit. Toxic Femininity includes fun short pieces (such as, “I’m Not A Sexist; I Also Ask My Male Colleagues If They’re Menstruating” and “How Silicon Valley Created The Perfect Meritocracy If You Specifically Happen To Be A Young, Straight, Well-Educated White Man”), true-false and multiple choice quizzes (including: “Are You Too Aggressive, or “Are You Politely Stating Your Opinion?” and Are You a True Feminist, a Male Feminist, a Feminist Just to Get Laid, or a Loaf of Bread?”), and even some surrealist essays (such as “A Woman From The Year 3018 Visits a Tech Startup” and “The Noise-Canceling Headphone’s Lament”). Toxic Femininity is a book that can be enjoyed in little sips or in one long drink. The variety of the pieces and the illustrations make a lovely and gifty package—this product is perfect for a mentor encouraging her mentees, a big sister preparing her little sister for the work place, or shoring up your best friend after a rough day. A conversation piece as much as a gift, the humorous nature of the work makes it possible to face topics that can be difficult to tackle head on; and we hope that this book will be able to serve not just as a gift but as a jumping off point for those hard-to have conversations that are a part of every work place environment.

In this “little gem” (Washington Independent Review of Books), Pulitzer Prize–winning columnist and New York Times bestselling author Dave Barry learns how to age happily from his old but joyful dog, Lucy. As Dave Barry turns seventy—not happily—he realizes that his dog, Lucy, is dealing with old age far better than he is. She has more friends, fewer worries, and way more fun. So Dave decides to figure out how Lucy manages to stay so happy, to see if he can make his own life happier by doing the things she does (except for drinking from the toilet). He reconnects with old friends and tries to make new ones—which turns out to be a struggle, because Lucy likes people a lot more than he does. And he gets back in touch with two ridiculous but fun groups from his past: the Lawn Rangers, a group of guys who march in parades pushing lawnmowers and twirling brooms (alcohol is involved), and the Rock Bottom Remainders, the world’s oldest and least-talented all-author band. With each new lesson, Dave riffs hilariously on dogs, people, and life in general, while also pondering Deep Questions, such as when it’s okay to lie. (Answer: when scallops are involved.) Lessons from Lucy shows readers a new side to Dave Barry that’s “touching and sentimental, but there’s still a laugh on every page” (Sacramento Bee). The master humorist has written a witty and affable guide to joyous living at any age.

An enchanting, comic love letter to sibling rivalry and the English language. From the author compared to Nora Ephron and Nancy Mitford, not to mention Jane Austen, comes a new novel celebrating the beauty, mischief, and occasional treachery of language. The Grammarians are Laurel and Daphne Wolfe, identical, inseparable redheaded twins who share an obsession with words. They speak a secret “twin” tongue of their own as toddlers; as adults making their way in 1980s Manhattan, their verbal infatuation continues, but this love, which has always bound them together, begins instead to push them apart. Daphne, copy editor and grammar columnist, devotes herself to preserving the dignity and elegance of Standard English. Laurel, who gives up teaching kindergarten to write poetry, is drawn, instead, to the polymorphous, chameleon nature of the written and spoken word. Their fraying twinship finally shreds completely when the sisters go to war, absurdly but passionately, over custody of their most prized family heirloom: Merriam Webster’s New International Dictionary, Second Edition. Cathleen Schine has written a playful and joyful celebration of the interplay of language and life. A dazzling comedy of sisterly and linguistic manners, a revelation of the delights and stresses of intimacy, The Grammarians is the work of one of our great comic novelists at her very best.

A deeply textured and compelling biography of comedy giant Mel Brooks, covering his rags-to-riches life and triumphant career in television, films, and theater, from Patrick McGilligan, the acclaimed author of Young Orson: The Years of Luck and Genius on the Path to Citizen Kane and Alfred Hitchcock: A Life in Darkness and Light. Oscar, Emmy, Tony, and Grammy award–winner Mel Brooks was behind (and sometimes in front the camera too) of some of the most influential comedy hits of our time, including The 2,000 Year Old Man, Get Smart, The Producers, Blazing Saddles, and Young Frankenstein. But before this actor, writer, director, comedian, and composer entertained the world, his first audience was his family. The fourth and last child of Max and Kitty Kaminsky, Mel Brooks was born on his family’s kitchen table in Brooklyn, New York, in 1926, and was not quite three-years-old when his father died of tuberculosis. Growing up in a household too poor to own a radio, Mel was short and homely, a mischievous child whose birth role was to make the family laugh. Beyond boyhood, after transforming himself into Mel Brooks, the laughs that came easily inside the Kaminsky family proved more elusive. His lifelong crusade to transform himself into a brand name of popular humor is at the center of master biographer Patrick McGilligan’s Funny Man. In this exhaustively researched and wonderfully novelistic look at Brooks’ personal and professional life, McGilligan lays bare the strengths and drawbacks that shaped Brooks’ psychology, his willpower, his persona, and his comedy. McGilligan insightfully navigates the epic ride that has been the famous funnyman’s life story, from Brooks’s childhood in Williamsburg tenements and breakthrough in early television—working alongside Sid Caesar and Carl Reiner—to Hollywood and Broadway peaks (and valleys). His book offers a meditation on the Jewish immigrant culture that influenced Brooks, snapshots of the golden age of comedy, behind the scenes revelations about the celebrated shows and films, and a telling look at the four-decade romantic partnership with actress Anne Bancroft that superseded Brooks’ troubled first marriage. Engrossing, nuanced and ultimately poignant, Funny Man delivers a great man’s unforgettable life story and an anatomy of the American dream of success. Funny Man includes a 16-page black-and-white photo insert.

The behind-the-scenes story of the iconic funnymen who ruled ’80s Hollywood—Bill Murray, Steve Martin, Chevy Chase, John Belushi, Dan Aykroyd, and Eddie Murphy—and the beloved films that made them stars, including Animal House, Caddyshack, and Ghostbusters NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NEW YORK “An enjoyable romp that vividly captures the manic ups and downs of the remarkable group of funny folk who gave us a golden age of small and big screen comedy, from SNL to Groundhog Day.”—Peter Biskind, author of Easy Riders, Raging Bulls Wild and Crazy Guys opens in 1978 with Chevy Chase and Bill Murray taking bad-tempered swings at each other backstage at Saturday Night Live, and closes 21 years later with the two doing a skit in the same venue, poking fun at each other, their illustrious careers, triumphs and prat falls. In between, Nick de Semlyen takes us on a trip through the tumultuous ’80s, delving behind the scenes of movies such as National Lampoon’s Vacation, Beverly Hills Cop, The Blues Brothers, Dirty Rotten Scoundrels, and dozens more. Chronicling the off-screen, larger-than-life antics of Bill Murray, Chevy Chase, Steve Martin, Dan Aykroyd, Eddie Murphy, John Belushi, John Candy, and Rick Moranis, it’s got drugs, sex, punch-ups, webbed toes, and Bill Murray being pushed into a swimming pool by Hunter S. Thompson while tied to a lawn chair. What’s not to like? Based on candid interviews from many of the stars themselves, as well as those in their immediate orbit, including directors John Landis, Carl Reiner, and Amy Heckerling, Wild and Crazy Guys is a fantastic insider account of the friendships, feuds, triumphs, and disasters experienced by these beloved comedians. Hilarious and revealing, it is both a hidden history of the most fertile period ever for screen comedy and a celebration of some of the most popular films of all time. Praise for Wild and Crazy Guys “Eminently readable . . . Children of the 1980s, take note: this is a fond, engrossing look back at the making of movies that became cultural touchstones.”—Booklist (starred review) “Nick de Semlyen smartly charts the pinballing career paths of the stars of this new comic wave. . . . His punchy, nonstop narrative . . . tells a [story] where art and commerce smash hard against each other, sometimes causing destruction, but sometimes making sparks fly.”—The Sunday Times (UK)

Best-selling author Rick Riordan presents a brilliant sci-fi romp with Cuban influence that poses this question: What would you do if you had the power to reach through time and space and retrieve anything you want, including your mother, who is no longer living (in this universe, anyway)? How did a raw chicken get inside Yasmany’s locker? When Sal Vidon meets Gabi Real for the first time, it isn’t under the best of circumstances. Sal is in the principal’s office for the third time in three days, and it’s still the first week of school. Gabi, student council president and editor of the school paper, is there to support her friend Yasmany, who just picked a fight with Sal. She is determined to prove that somehow, Sal planted a raw chicken in Yasmany’s locker, even though nobody saw him do it and the bloody poultry has since mysteriously disappeared. Sal prides himself on being an excellent magician, but for this sleight of hand, he relied on a talent no one would guess . . . except maybe Gabi, whose sharp eyes never miss a trick. When Gabi learns that he’s capable of conjuring things much bigger than a chicken–including his dead mother–and she takes it all in stride, Sal knows that she is someone he can work with. There’s only one slight problem: their manipulation of time and space could put the entire universe at risk. A sassy entropy sweeper, a documentary about wedgies, a principal who wears a Venetian bauta mask, and heaping platefuls of Cuban food are just some of the delights that await in his mind-blowing novel gift-wrapped in love and laughter.

‘Funny, charming, odd-in-the-best-way and gorgeously uplifting! A delight from start to finish’ Marian Keyes ‘I read all of Reasons To Be Cheerful in one glorious gulp’ Caitlin Moran ____________________________________ Teenager Lizzie Vogel has a new job as a dental assistant. This is not as glamorous as it sounds. At least it means mostly getting away from her alcoholic, nymphomaniacal, novel-writing mother. But, if Lizzie thinks being independent means sex with her boyfriend (he prefers bird-watching), strict boundaries (her boss keeps using herloo) or self-respect (surely only actual athletes get fungal foot infections?) she’s still got a lot more growing up to do. ______________________________________ LONGLISTED FOR THE COMEDY WOMEN IN PRINT PRIZE ‘This made me laugh and broke my heart . . . Stibbe is one of the all time greats’ Daisy Buchanan ‘Stibbe is one of the great comic writers of our time’ Irish Times ‘Pitch perfect vintage comedy’ Guardian ‘Lives up to its title’ Sunday Times ‘Joyful. Stibbe’s comedy probes what it means to become an adult’ Daily Telegraph ‘The literary love child of Victoria Wood and Alan Bennett…this is pure laughing gas’ Mail on Sunday ‘Loved it! I so love Lizzie. She is brave and kind and funny and totally original . . . I couldn’t have liked it more (as I think Noel Coward said.)’ Katie Fforde ‘Another great from Nina Stibbe’ Kathy Burke ‘Very few writers can find the delicate balance between heartbreak and hilarity like Nina Stibbe’ Red Magazine ‘Comedy gold . . . Reasons To Be Cheerful is just the read you need right now’ Stylist ‘Nina Stibbe is an author of such effortless wit that she could turn a shopping list into a bestseller’ Women and Home

Life’s a drag… Why not be a queen? ‘Stories like the one where you shagged a 79-year-old builder and knocked over his sister’s ashes while feeding him a Viagra. Or the time you crashed your car because you were giving a hand job in barely moving traffic and took your eye off the car in front. That’s the kind of dinner-party ice-breaker I’m talking about.’ Northern, working-class and shagging men three times her age, Crystal writes candidly about her search for ‘the one’; sleeping with a VIP in an attempt to become a world famous journalist; getting hired and fired by a well-known fashion magazine; being torn between losing weight and gorging on KFC; and her need for constant sexual satisfaction (and where that takes her). Charting her day-to-day adventures over the course of a year, we encounter tucks, twists and sucks, heinous overspending and endless nights spent sprinting from problem to problem in a full face of make-up. This is a place where the previously unspeakable becomes the commendable – a unique portrayal of the queer experience. (c) 2019, Crystal Rasmussen (P) 2019 Penguin Audio

The number one Sunday Times bestseller – with a new, fantastically festive front cover! Twas the Nightshift Before Christmas is a short gift book of festive diaries from the author of multi-million-copy bestseller This is Going to Hurt. Christmas is coming, the goose is getting fat . . . but 1.4 million NHS staff are heading off to work. In this perfect present for anyone who has ever set foot in a hospital, Adam Kay delves back into his diaries for a hilarious, horrifying and sometimes heartbreaking peek behind the blue curtain at Christmastime. This is a love letter to all those who spend their festive season on the front line, removing babies and baubles from the various places they get stuck, at the most wonderful time of the year. ‘The perfect surgical stocking-filler’ – The Times Two different covers of Twas the Nightshift Before Christmas have been printed: one has a special festive design, and the other is our original hardback design. You will either receive the festive design or the original (as shown here) in your order. Specific covers cannot be requested.

Perfect for the anti-aviary (or bird fanatic with a sense of humor), this snarky illustrated handbook is equal parts profane, funny, and—let’s face it—true. Featuring 50 common North American birds, such as the White-Breasted Butt Nugget and the Goddamned Canada Goose (or White-Breasted Nuthatch and Canada Goose for the layperson), Kracht identifies all the idiots in your backyard and details exactly why they suck with humorous, yet angry, ink drawings. Each entry is accompanied by facts about a bird’s (annoying) call, its (dumb) migratory pattern, its (downright tacky) markings, and more. With migratory maps and tips for birding, plus musings on the avian population and the ethics of birdwatching, this is the essential guide to all things wings. No need to wonder what all that racket is anymore!

From the creator of the beloved and universally acclaimed television series BoJack Horseman, a fabulously off-beat collection of short stories about love—the best and worst thing in the universe. “Complex, daring, emotional, and unique, with notes of melancholic brilliance and an aftertaste of subtle elation: it is hard to describe the writing of Raphael Bob-Waksberg without sounding like Frasier discussing wine.” —B. J. Novak, author of One More Thing Written with all the scathing dark humor that is a hallmark of BoJack Horseman, Raphael Bob-Waksberg’s stories will make you laugh, weep, and shiver in uncomfortably delicious recognition. In “A Most Blessed and Auspicious Occasion,” a young couple engaged to be married is forced to deal with interfering relatives dictating the appropriate number of ritual goat sacrifices for their wedding. “Missed Connection—m4w” is the tragicomic tale of a pair of lonely commuters eternally failing to make that longed-for contact. And in “More of the You That You Already Are,” a struggling employee at a theme park of dead presidents finds that love can’t be genetically modified. Equally at home with the surreal and the painfully relatable (and both at once), Bob-Waksberg delivers a killer combination of humor, romance, whimsy, cultural commentary, and crushing emotional vulnerability.

You may know him as Mango, Mr. Peepers, the gibberish-spouting Suel Forrester, or one half of the head-bopping brothers in A Night at the Roxbury. Maybe you remember him as the forlorn gothic kid Azrael Abyss, Gay Hitler, or the guitarist in the “More Cowbell” sketch. Whichever it is, Chris Kattan has earned a spot in the hearts of a generation of comedy fans. Chris Kattan has defied comparison, expectations, and sometimes gravity with his inimitable style of physical comedy. By creating some of the most memorable Saturday Night Live characters, as well as his many roles in film and television, Kattan has remained one of the most fearless and versatile comedians in the world. Not long after Chris was labeled one of the improv group Groundlings’ “must-see” performers in the company, he was cast on SNL—and within the first six weeks, Chris’s film career also took off. Now, for the first time, Kattan opens up about eight seasons on SNL, performing alongside friends and future legends including Will Ferrell, Jimmy Fallon, and Tina Fey, and guest hosts from Charlize Theron to Tom Hanks to David Bowie. He also shares stories of his unusual childhood (involving a secluded mountain with zen monks) with Leonard Cohen and Alan Watts. Baby, Don’t Hurt Me offers an unprecedented look into Chris’s life, from his fascinating relationship with Lorne Michaels, a private Valentine’s Day dinner with Tom Cruise and Katie Holmes, an unforgettable flight with Beyoncé, and even breaking his neck on live television. Baby, Don’t Hurt Me is a candid, revealing memoir from a timeless comedian and a window into the world of millennium-era SNL, from the rehearsals to the after-after parties, as narrated by your hilarious and inspiring friend—who just so happened to be there for all of it.

The long-awaited memoir of her tumultuous year in office, A Woman First: First Woman is an intimate first-person account of the public and private lives of Selina Meyer, America’s first woman president. Known and beloved throughout the world as a vocal and fearless advocate for adult literacy, fighting AIDS, our military families, and as a stalwart champion of the oppressed, especially the long-suffering people of Tibet, President Meyer is considered one of the world’s most notable people. In her own words, she reveals the innermost workings of the world’s most powerful office, sharing previous secret details along with her own personal feelings about the historic events of her time. In A Woman First: First Woman, President Selina Meyer tells the story of her times the way that only she could, Readers will gain new insights not only into Meyer herself but also the mechanics of governing and the many colorful personalities in Meyer’s orbit, including world leaders and her devoted cadre of allies and aides, many of them already familiar to the American people.

From the comedian, actor, and former host of The Late Late Show comes an irreverent, lyrical memoir in essays featuring his signature wit. Craig Ferguson has defied the odds his entire life. He has failed when he should have succeeded and succeeded when he should have failed. The fact that he is neither dead nor in a locked facility (at the time of printing) is something of a miracle in itself. In Craig’s candid and revealing memoir, readers will get a look into the mind and recollections of the unique and twisted Scottish American who became a national hero for pioneering the world’s first TV robot skeleton sidekick and reviving two dudes in a horse suit dancing as a form of entertainment. In Riding the Elephant, there are some stories that are too graphic for television, too politically incorrect for social media, or too meditative for a stand-up comedy performance. Craig discusses his deep love for his native Scotland, examines his profound psychic change brought on by fatherhood, and looks at aging and mortality with a perspective that he was incapable of as a younger man. Each story is strung together in a colorful tapestry that ultimately reveals a complicated man who has learned to process—and even enjoy—the unusual trajectory of his life.

No one knows more about everything—especially everything rude, clever, and offensively compelling—than John Waters. The man in the pencil-thin mustache, auteur of the transgressive movie classics Pink Flamingos, Polyester, Hairspray, Cry-Baby, and A Dirty Shame, is one of the world’s great sophisticates, and in Mr. Know-It-All he serves it up raw: how to fail upward in Hollywood; how to develop musical taste, from Nervous Norvus to Maria Callas; how to build a home so ugly and trendy that no one but you would dare live in it; more important, how to tell someone you love them without emotional risk; and yes, how to cheat death itself. Through it all, Waters swears by one undeniable truth: “Whatever you might have heard, there is absolutely no downside to being famous. None at all.” Studded with cameos, from Divine and Mink Stole to Johnny Depp, Kathleen Turner, Patricia Hearst, and Tracey Ullman, and illustrated with unseen photos from the author’s personal collection, Mr. Know-It-All is Waters’ most hypnotically readable, upsetting, revelatory book—another instant Waters classic. “Waters doesn’t kowtow to the received wisdom, he flips it the bird . . . [Waters] has the ability to show humanity at its most ridiculous and make that funny rather than repellent.” —Jonathan Yardley, The Washington Post “Carsick becomes a portrait not just of America’s desolate freeway nodes—though they’re brilliantly evoked—but of American fame itself.” —Lawrence Osborne, The New York Times Book Review

“[An] affecting and hilarious meditation on fame and prestige as seen through the lens of an airline loyalty program.” —The AV Club A hilarious and honest new book in which John Hodgman, New York Times bestselling author of Vacationland, leaves vacation behind and gets back to work as a still somewhat famous person . . . and then loses his job. An uproarious read. After spending most of his twenties pursuing a career as a literary agent, John Hodgman decided to try his own hand at writing. Following an appearance to promote one of his books on The Daily Show, he was invited to return as a contributor. This led to an unexpected and, frankly, implausible career in front of the camera that has lasted to this very day, or at least until 2016. In these pages, Hodgman explores the strangeness of his career, speaking plainly of fame, especially at the weird, marginal level he enjoyed it. Through these stories you will learn many things that only John Hodgman knows, such as how to prepare for a nude scene with an oboe, or what it feels like to go to a Hollywood party and realize that you are not nearly as famous as the Property Brothers, or, for that matter, those two famous corgis from Instagram. And there are stories about how, when your television gig is canceled, you can console yourself with the fact that all of that travel that made your young son so sad at least left you with a prize: platinum medallion status with your airline. Both unflinchingly funny and deeply heartfelt, Medallion Status is a thoughtful examination of status, fame, and identity–and about the way we all deal with those moments when we realize we aren’t platinum status anymore and will have to get comfortable in that middle seat again.

In the sequel to the New York Times best-selling novel Hope Never Dies, Obama and Biden reprise their roles as BFFs-turned-detectives as they chase Obama’s stolen cell phone through the streets of Chicago–and right into a vast conspiracy. Following a long but successful book tour, Joe Biden has one more stop before he can return home: Chicago. His old pal Barack Obama has invited him to meet a wealthy benefactor whose endorsement could turn the tide for Joe if he decides to run for president. The two friends barely have time to catch up before another mystery lands in their laps: Obama’s prized Blackberry is stolen. When their number-one suspect winds up full of lead on the South Side, the police are content to write it off as just another gangland shooting. But Joe and Obama smell a rat… Set against the backdrop of a raucous city on St. Patrick’s Day, Joe and Obama race to find the shooter, only to uncover a vast conspiracy that goes deeper than the waters of Lake Michigan—which is exactly where they’ll spend the rest of their retirement if they’re not careful.

“A collection of essays by the popular Vice contributor”–

Insightful essays, poignant life advice, and pithy pearls of wisdom from one of comedy’s brightest rising stars Comedian, writer, actress, and social media star Amanda Seales is a force of nature who has fearlessly and passionately charted her own course through life and career. Now, in her one-of-a-kind voice that blends academic intellectualism, Black American colloquialisms, and pop culture fanaticism, she’s bringing her life’s lessons and laughs to the page. This volume of essays, axioms, original illustrations, and photos provides Seales’s trademark “self-help from the hip” style of commentary, fueled by ideology formed from her own victories, struggles, research, mistakes, risks, and pay-offs. Unapologetic, fiercely funny, and searingly honest, Small Doses engages, empowers, and enlightens readers on how to find their truths while still finding the funny!

A compact, comprehensive, and very silly field guide featuring more than 200 of the rudest birds on earth. Effin’ Birds is the most eagerly anticipated new volume in the grand and noble profession of nature writing and bird identification. Sitting proudly alongside Sibley, Kaufman, and Peterson, this book contains more than 150 pages crammed full of classic, monochrome plumage art paired with the delightful but dirty aphorisms (think “I’m going to need more booze to deal with this week”) that made the Effin’ Birds Twitter feed a household name. Also included in its full, Technicolor glory is John James Audubon’s most beautiful work matched with modern life advice. Including never-before-seen birds, insults, and field notes, this guide is a must-have for any effin’ fan or birder.

Emmy-Award winning writer and comedian Josh Gondelman’s collection of personal stories of best intentions and mixed results. Josh Gondelman knows a thing or two about trying—and failing. The Emmy Award-winning stand-up comic—dubbed a “pathological sweetheart” by the New York Observer—is known throughout the industry as one of comedy’s true “nice guys.” Not surprisingly, he’s endured his share of last-place finishes. But he keeps on bouncing back. In this collection of hilarious and poignant essays (including his acclaimed New York Times piece “What if I Bombed at My Own Wedding?”), Josh celebrates a life of good intentions—and mixed results. His true tales of romantic calamities, professional misfortunes, and eventual triumphs reinforce the notion: we get out of the world what we put into it. Whether he’s adopting a dog from a suspicious stranger, mitigating a disastrous road trip, or trying MDMA for the first (and only) time, Josh only wants the best for everyone—even as his attempts to do the right thing occasionally implode. Full of the warm and relatable humor that’s made him a favorite on the comedy club circuit, Nice Try solidifies Josh Gondelman’s reputation as not just a good guy, but a skilled observer of the human condition.

“Gary Janetti’s book is so rolling-on-the-floor funny, so brilliantly observant, and so full of heart.” — Kevin Kwan Fans of David Sedaris, Jenny Lawson, and Tina Fey… meet your new friend Gary Janetti. Gary Janetti, the writer and producer for some of the most popular television comedies of all time, and creator of one of the most wickedly funny Instagram accounts there is, now turns his skills to the page in a hilarious, and poignant book chronicling the pains and indignities of everyday life. Gary spends his twenties in New York, dreaming of starring on soap operas while in reality working at a hotel where he lusts after an unattainable colleague and battles a bellman who despises it when people actually use a bell to call him. He chronicles the torture of finding a job before the internet when you had to talk on the phone all the time, and fantasizes, as we all do, about who to tell off when he finally wins an Oscar. As Gary himself says, “These are essays from my childhood and young adulthood about things that still annoy me.” Original, brazen, and laugh out loud funny, Do You Mind if I Cancel? is something not to be missed.

Finalist for the Pulitzer Prize New York Times Bestseller | A Read with Jenna Today Show Book Club Pick | A New York Times Book Review Notable Book | TIME Magazine’s 100 Must-Read Books of 2019 Named one of the Best Books of the Year by NPR, The Washington Post; O: The Oprah Magazine, Real Simple, Good Housekeeping, Vogue, Refinery29, and Buzzfeed Ann Patchett, the #1 New York Times bestselling author of Commonwealth, delivers her most powerful novel to date: a richly moving story that explores the indelible bond between two siblings, the house of their childhood, and a past that will not let them go. The Dutch House is the story of a paradise lost, a tour de force that digs deeply into questions of inheritance, love and forgiveness, of how we want to see ourselves and of who we really are. At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves. The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother. The two wealthy siblings are thrown back into the poverty their parents had escaped from and find that all they have to count on is one another. It is this unshakeable bond between them that both saves their lives and thwarts their futures. Set over the course of five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their past. Despite every outward sign of success, Danny and Maeve are only truly comfortable when they’re together. Throughout their lives they return to the well-worn story of what they’ve lost with humor and rage. But when at last they’re forced to confront the people who left them behind, the relationship between an indulged brother and his ever-protective sister is finally tested.

In this wickedly funny cultural critique, the author of the critically acclaimed memoir and Hulu series Shrill exposes misogyny in the #MeToo era. This is a witch hunt. We’re witches, and we’re hunting you. From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author of the New York Times bestselling memoir and now critically acclaimed Hulu TV series Shrill, Lindy West, turns that refrain on its head. You think this is a witch hunt? Fine. You’ve got one. In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging readers to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first century. She tracks the misogyny and propaganda hidden (or not so hidden) in the media she and her peers devoured growing up, a buffet of distortions, delusions, prejudice, and outright bullsh*t that has allowed white male mediocrity to maintain a death grip on American culture and politics-and that delivered us to this precarious, disorienting moment in history. West writes, “We were just a hair’s breadth from electing America’s first female president to succeed America’s first black president. We weren’t done, but we were doing it. And then, true to form—like the Balrog’s whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, ‘If I can’t have you, no one can’—white American voters shoved an incompetent, racist con man into the White House.” We cannot understand how we got here‚—how the land of the free became Trump’s America—without examining the chasm between who we are and who we think we are, without fact-checking the stories we tell ourselves about ourselves and each other. The truth can transform us; there is witchcraft in it. Lindy West turns on the light.

NEW YORK TIMES BESTSELLER • “From The New Yorker’s beloved cultural critic comes a bold, unflinching collection of essays about self-deception, examining everything from scammer culture to reality television.”—Esquire Book Club Pick for Now Read This, from PBS NewsHour and The New York Times • “A whip-smart, challenging book.”—Zadie Smith • “Jia Tolentino could be the Joan Didion of our time.”—Vulture FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE’S JOHN LEONARD PRIZE FOR BEST FIRST BOOK • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY AND HARVARD CRIMSON AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • Chicago Tribune • The Washington Post • NPR • Variety • Esquire • Vox • Elle • Glamour • GQ • Good Housekeeping • The Paris Review • Paste • Town & Country • BookPage • Kirkus Reviews • BookRiot • Shelf Awareness Jia Tolentino is a peerless voice of her generation, tackling the conflicts, contradictions, and sea changes that define us and our time. Now, in this dazzling collection of nine entirely original essays, written with a rare combination of give and sharpness, wit and fearlessness, she delves into the forces that warp our vision, demonstrating an unparalleled stylistic potency and critical dexterity. Trick Mirror is an enlightening, unforgettable trip through the river of self-delusion that surges just beneath the surface of our lives. This is a book about the incentives that shape us, and about how hard it is to see ourselves clearly through a culture that revolves around the self. In each essay, Tolentino writes about a cultural prism: the rise of the nightmare social internet; the advent of scamming as the definitive millennial ethos; the literary heroine’s journey from brave to blank to bitter; the punitive dream of optimization, which insists that everything, including our bodies, should become more efficient and beautiful until we die. Gleaming with Tolentino’s sense of humor and capacity to elucidate the impossibly complex in an instant, and marked by her desire to treat the reader with profound honesty, Trick Mirror is an instant classic of the worst decade yet. FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAY

Instant USA Today bestseller! “Abbi Waxman is both irreverent and thoughtful.”—#1 New York Times bestselling author Emily Giffin “Meet our bookish millennial heroine—a modern-day Elizabeth Bennet, if you will… Waxman’s wit and wry humor stand out. She is funny and imaginative, and “Bookish” lands a step above run-of-the-mill romantic comedy fare.”—The Washington Post “Abbi Waxman offers up a quirky, eccentric romance that will charm any bookworm…. For anyone who’s ever wondered if their greatest romance might come between the pages of books they read, Waxman offers a heartwarming tribute to that possibility.”–Entertainment Weekly The author of Other People’s Houses and The Garden of Small Beginnings delivers a quirky and charming novel chronicling the life of confirmed introvert Nina Hill as she does her best to fly under everyone’s radar. Meet Nina Hill: A young woman supremely confident in her own…shell. The only child of a single mother, Nina has her life just as she wants it: a job in a bookstore, a kick-butt trivia team, a world-class planner and a cat named Phil. If she sometimes suspects there might be more to life than reading, she just shrugs and picks up a new book. When the father Nina never knew existed suddenly dies, leaving behind innumerable sisters, brothers, nieces, and nephews, Nina is horrified. They all live close by! They’re all—or mostly all—excited to meet her! She’ll have to Speak. To. Strangers. It’s a disaster! And as if that wasn’t enough, Tom, her trivia nemesis, has turned out to be cute, funny, and deeply interested in getting to know her. Doesn’t he realize what a terrible idea that is? Nina considers her options. 1. Completely change her name and appearance. (Too drastic, plus she likes her hair.) 2. Flee to a deserted island. (Hard pass, see: coffee). 3. Hide in a corner of her apartment and rock back and forth. (Already doing it.) It’s time for Nina to come out of her comfortable shell, but she isn’t convinced real life could ever live up to fiction. It’s going to take a brand-new family, a persistent suitor, and the combined effects of ice cream and trivia to make her turn her own fresh page.

A New York Times Bestseller • A Read with Jenna Today Show Book Club Pick! Named a Best Book of the Year by The New York Times Book Review, The Washington Post, People, Entertainment Weekly, USA Today, TIME, The A.V. Club, Buzzfeed, and PopSugar “I can’t believe how good this book is…. It’s wholly original. It’s also perfect…. Wilson writes with such a light touch…. The brilliance of the novel [is] that it distracts you with these weirdo characters and mesmerizing and funny sentences and then hits you in a way you didn’t see coming. You’re laughing so hard you don’t even realize that you’ve suddenly caught fire.” —Taffy Brodesser-Akner, author of Fleishman is in Trouble, New York Times Book Review From the New York Times bestselling author of The Family Fang, a moving and uproarious novel about a woman who finds meaning in her life when she begins caring for two children with a remarkable ability. Lillian and Madison were unlikely roommates and yet inseparable friends at their elite boarding school. But then Lillian had to leave the school unexpectedly in the wake of a scandal and they’ve barely spoken since. Until now, when Lillian gets a letter from Madison pleading for her help. Madison’s twin stepkids are moving in with her family and she wants Lillian to be their caretaker. However, there’s a catch: the twins spontaneously combust when they get agitated, flames igniting from their skin in a startling but beautiful way. Lillian is convinced Madison is pulling her leg, but it’s the truth. Thinking of her dead-end life at home, the life that has consistently disappointed her, Lillian figures she has nothing to lose. Over the course of one humid, demanding summer, Lillian and the twins learn to trust each other—and stay cool—while also staying out of the way of Madison’s buttoned-up politician husband. Surprised by her own ingenuity yet unused to the intense feelings of protectiveness she feels for them, Lillian ultimately begins to accept that she needs these strange children as much as they need her—urgently and fiercely. Couldn’t this be the start of the amazing life she’d always hoped for? With white-hot wit and a big, tender heart, Kevin Wilson has written his best book yet—a most unusual story of parental love.

“From the award-winning author of Bellweather Rhapsody, a delightfully clever novel following one woman and a supporting cast of misfits, dreamers and foes as they race to win a treasure hunt inspired by Edgar Allan Poe, left behind by a dying billionaire” —

Former Senior Editor for Gothamist Rebecca Fishbein’s adult life has been a dramatic reflection of New York media itself—constantly evolving in unexpected ways and seemingly always on the edge of disaster. In short, Rebecca has seen it all—from 3 bedbug infestations, to being fired, to being yelled at while working at American Apparel, to losing all her stuff in a freak fire, to being bullied online by angry Taylor Swift fans. But the real humor and meat of the collection come from Rebecca’s unwavering honesty and unflinching examination of her struggles with alcohol, anxiety, depression, compulsive lying, female beauty standards, and a slew of failed cowoker/roommate/friend semi-relationships are dark, insightful, and hilarious. As Jia Tolentino commented, the era of the personal essay ended with the election—this is not your grandmother’s millennial essay collection. Rebecca’s writing is relatable without being preachy and conveys a message of resilience by example, not by moral. Readers will recognize the world they themselves see—a disastrous president and a scary socioeconomic landscape—in Becca’s writing and find comfort in her humor and a snarky but incisive friend in her writing.

Power struggles. Bitter rivalries. Jealousy. Betrayals. Star-crossed lovers. When you consider all these plot points, it’s pretty surprising William Shakespeare didn’t write Mean Girls. But now fans can treat themselves to the epic drama—and heroic hilarity—of the classic teen comedy rendered with the wit, flair, and iambic pentameter of the Bard. Our heroine Cady disguises herself to infiltrate the conniving Plastics, falls for off-limits Aaron, struggles with her allegiance to newfound friends Damian and Janis, and stirs up age-old vendettas among the factions of her high school. Best-selling author Ian Doescher brings his signature Shakespearean wordsmithing to this cult classic beloved by generations of teen girls and other fans. Now, on the 15th anniversary of its release, Mean Girls is a recognized cultural phenomenon, and it’s more than ready for an Elizabethan makeover.

From critically acclaimed New York Times best-selling author Jami Attenberg comes a novel of family secrets: think the drama of Big Little Lies set in the heat of a New Orleans summer. “If I know why they are the way they are, then maybe I can learn why I am the way I am,” says Alex Tuchman of her parents. Now that her father, Victor, is on his deathbed, Alex—a strong-headed lawyer, devoted mother, and loving sister—feels she can finally unearth the secrets of who Victor is and what he did over the course of his life and career. (A power-hungry real estate developer, he is, by all accounts, a bad man.) She travels to New Orleans to be with her family, but mostly to interrogate her tight-lipped mother, Barbra. As Barbra fends off Alex’s unrelenting questions, she reflects on her tumultuous life with Victor. Meanwhile Gary, Alex’s brother, is incommunicado, trying to get his movie career off the ground in Los Angeles. And Gary’s wife, Twyla, is having a nervous breakdown, buying up all the lipstick in drugstores around New Orleans and bursting into crying fits. Dysfunction is at its peak. As family members grapple with Victor’s history, they must figure out a way to move forward—with one another, for themselves, and for the sake of their children. All This Could Be Yours is a timely, piercing exploration of what it means to be caught in the web of a toxic man who abused his power; it shows how those webs can entangle a family for generations, and what it takes to—maybe, hopefully—break free. With her signature “sparkling prose” (Marie Claire) and incisive wit, Jami Attenberg deftly explores one of the most important subjects of our age.

‘WHO KNEW MY ANXIETY COULD BE SO FUNNY?’ Amy Morrison, founder of Pregnant Chicken Feeling anxious? Who isn’t! Your most irrational (and sometimes rational) fears are hilarious fodder for this sharp and relatable activity book. These days, anxiety is simply part of the human experience. Part journal, part coloring book, part weird coping mechanisms, and part compendium of soothing facts, The Big Activity Book for Anxious Peoplewill be an outlet for anyone who wants to take a break from reality, laugh through her fears, and realize with every page that she is not alone–and to help her figure out what to do when it’s 3AM and she’s wide awake worrying about whether she cc’ed the right “Bob” on that email. (Probably.) Activities include: * Fun Facts about Aging! * Public Speaking: A Diagram * Your Hotel Room Carpet: A Petri Dish of Horrors * Obscure Diseases You Probably Don’t Have * Zen Mantras For The Anxiously Inclined * Soothing Facts about Hand Sanitizer On a bad day, try coloring in the soothing grandma. On a really bad day, find step-by-step instructions on how to build an underground bunker. Reid and Williams want everyone to remember that they’re in good company: anxious people are some of the funniest and most interesting and creative humans on the planet. (They know, because they are two of them.)

In the eagerly anticipated follow-up to Laurie Gelman’s “irreverent and hilarious” (The New York Post) hit Class Mom, brash, lovable Jen Dixon is back with a new class and her work cut out for her If you’ve ever been a room parent or school volunteer, Jen Dixon is your hero. She says what every class mom is really thinking, whether in her notoriously frank emails or standup-worthy interactions with the micromanaging PTA President and the gamut of difficult parents. Luckily, she has the charm and wit to get away with it—most of the time. Jen is sassier than ever but dealing with a whole new set of challenges, in the world of parental politics and at home. She’s been roped into room-parenting yet again, for her son Max’s third grade class, but as her husband buries himself in work, her older daughters navigate adulthood, and Jen’s own aging parents start to need some parenting themselves, Jen gets pulled in more directions than any one mom, or superhero, can handle. Refreshingly down-to-earth and brimming with warmth, Dixon’s next chapter will keep you turning the pages to find out what’s really going on under the veneer of polite parent interactions, and have you laughing along with her the whole way.

From a “genius” (New York Times) storyteller: a new, subversive, hilarious, heart-breaking collection. “There is sweetheartedness and wisdom and eloquence and transcendence in his stories because these virtues exist in abundance in Etgar himself… I am very happy that Etgar and his work are in the world, making things better.” –George Saunders There’s no one like Etgar Keret. His stories take place at the crossroads of the fantastical, searing, and hilarious. His characters grapple with parenthood and family, war and games, marijuana and cake, memory and love. These stories never go to the expected place, but always surprise, entertain, and move… In “Arctic Lizard,” a young boy narrates a post-apocalyptic version of the world where a youth army wages an unending war, rewarded by collecting prizes. A father tries to shield his son from the inevitable in “Fly Already.” In “One Gram Short,” a guy just wants to get a joint to impress a girl and ends up down a rabbit hole of chaos and heartache. And in the masterpiece “Pineapple Crush,” two unlikely people connect through an evening smoke down by the beach, only to have one of them imagine a much deeper relationship. The thread that weaves these pieces together is our inability to communicate, to see so little of the world around us and to understand each other even less. Yet somehow, in these pages, through Etgar’s deep love for humanity and our hapless existence, a bright light shines through and our universal connection to each other sparks alive.

The Vegetarian meets Heathers in this darkly funny, seductively strange novel about a lonely graduate student drawn into a clique of rich girls who seem to move and speak as one “We were just these innocent girls in the night trying to make something beautiful. We nearly died. We very nearly did, didn’t we?” Samantha Heather Mackey couldn’t be more of an outsider in her small, highly selective MFA program at New England’s Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort–a clique of unbearably twee rich girls who call each other “Bunny,” and are often found entangled in a group hug so tight they become one. But everything changes when Samantha receives an invitation to the Bunnies’ fabled “Smut Salon,” and finds herself inexplicably drawn to their front door–ditching her only friend, Ava, a caustic art school dropout, in the process. As Samantha plunges deeper and deeper into the sinister yet saccharine world of the Bunny cult and starts to take part in their ritualistic off-campus “Workshop” where they magically conjure their monstrous creations, the edges of reality begin to blur, and her friendships with Ava and the Bunnies are brought into deadly collision. A spellbinding, down-the-rabbit-hole tale of loneliness and belonging, creativity and agency, and friendship and desire, Bunny is the dazzlingly original second book from an author whose work has been described as “honest, searing and necessary” (Elle).

A sharply intelligent and intimate debut novel about a secret society of hungry young women who meet after dark and feast to reclaim their appetites–and their physical spaces–that posits the question: if you feed a starving woman, what will she grow into? “A visceral and dangerous celebration of feminine appetite and agency. Dark, vivid and infinitely compelling, Williams boldly explores what happens when women dare to cross lines and take up space with their bodies, the hungers and delights to be found in transgression, and the anger and pain we are afraid to claim.” —Mona Awad, author of Bunny and 13 Ways of Looking at a Fat Girl Roberta spends her life trying not to take up space. At almost thirty, she is adrift and alienated from life. Stuck in a mindless job and reluctant to pursue her passion for food, she suppresses her appetite and recedes to the corners of rooms. But when she meets Stevie, a spirited and effervescent artist, their intense friendship sparks a change in Roberta, a shift in her desire for more. Together, they invent the Supper Club, a transgressive and joyous collective of women who gather to celebrate, rather than admonish, their hungers. They gather after dark and feast until they are sick; they break into private buildings and leave carnage in their wake; they embrace their changing bodies; they stop apologizing. For these women, each extraordinary yet unfulfilled, the club is a way to explore, discover, and push the boundaries of the space they take up in the world. Yet as the club expands, growing both in size and rebellion, Roberta is forced to reconcile herself to the desire and vulnerabilities of the body–and the past she has worked so hard to repress. Devastatingly perceptive and savagely funny, Supper Club is an essential coming-of-age story for our times.

Straight from the mind of New York Times bestselling author Nathan W. Pyle, Strange Planet is an adorable and profound universe in pink, blue, green, and purple, based on the phenomenally popular Instagram of the same name! Strange Planet covers a full life cycle of the planet’s inhabitants, including milestones such as: The Emergence Day Being Gains a Sibling The Being Family Attains a Beast The Formal Education of a Being Celebration of Special Days Being Begins a Vocation The Beings at Home Health Status of a Being The Hobbies of a Being The Extended Family of the Being The Being Reflects on Life While Watching the Planet Rotate With dozens of never-before-seen illustrations in addition to old favorites, this fixed-format e-book offers a sweet and hilarious look at a distant world not all that unlike our own. I feel more attractive. Honestly, you are. It’s the star damage. I CRAVE STAR DAMAGE.

NEW YORK TIMES BESTSELLER • A sharp, funny grammar guide they’ll actually want to read, from Random House’s longtime copy chief and one of Twitter’s leading language gurus NAMED ONE OF THE BEST BOOKS OF THE YEAR BY O: The Oprah Magazine • Paste • Shelf Awareness “Essential (and delightful!)”—People We all write, all the time: books, blogs, emails. Lots and lots of emails. And we all want to write better. Benjamin Dreyer is here to help. As Random House’s copy chief, Dreyer has upheld the standards of the legendary publisher for more than two decades. He is beloved by authors and editors alike—not to mention his followers on social media—for deconstructing the English language with playful erudition. Now he distills everything he has learned from the myriad books he has copyedited and overseen into a useful guide not just for writers but for everyone who wants to put their best prose foot forward. As authoritative as it is amusing, Dreyer’s English offers lessons on punctuation, from the underloved semicolon to the enigmatic en dash; the rules and nonrules of grammar, including why it’s OK to begin a sentence with “And” or “But” and to confidently split an infinitive; and why it’s best to avoid the doldrums of the Wan Intensifiers and Throat Clearers, including “very,” “rather,” “of course,” and the dreaded “actually.” Dreyer will let you know whether “alright” is all right (sometimes) and even help you brush up on your spelling—though, as he notes, “The problem with mnemonic devices is that I can never remember them.” And yes: “Only godless savages eschew the series comma.” Chockful of advice, insider wisdom, and fun facts, this book will prove to be invaluable to everyone who wants to shore up their writing skills, mandatory for people who spend their time editing and shaping other people’s prose, and—perhaps best of all—an utter treat for anyone who simply revels in language. Praise for Dreyer’s English “Playful, smart, self-conscious, and personal . . . One encounters wisdom and good sense on nearly every page of Dreyer’s English.”—The Wall Street Journal “Destined to become a classic.”—The Millions “Dreyer can help you . . . with tips on punctuation and spelling. . . . Even better: He’ll entertain you while he’s at it.”—Newsday

A Best Book of the Year: The Washington Post • Chicago Tribune • NPR • Vogue • Elle • Real Simple • InStyle • Good Housekeeping • Parade • Slate • Vox • Kirkus Reviews • Library Journal • BookPage Longlisted for the 2020 Booker Prize An Instant New York Times Bestseller A Reese’s Book Club Pick “The most provocative page-turner of the year.” –Entertainment Weekly “I urge you to read Such a Fun Age.” –NPR A striking and surprising debut novel from an exhilarating new voice, Such a Fun Age is a page-turning and big-hearted story about race and privilege, set around a young black babysitter, her well-intentioned employer, and a surprising connection that threatens to undo them both. Alix Chamberlain is a woman who gets what she wants and has made a living, with her confidence-driven brand, showing other women how to do the same. So she is shocked when her babysitter, Emira Tucker, is confronted while watching the Chamberlains’ toddler one night, walking the aisles of their local high-end supermarket. The store’s security guard, seeing a young black woman out late with a white child, accuses Emira of kidnapping two-year-old Briar. A small crowd gathers, a bystander films everything, and Emira is furious and humiliated. Alix resolves to make things right. But Emira herself is aimless, broke, and wary of Alix’s desire to help. At twenty-five, she is about to lose her health insurance and has no idea what to do with her life. When the video of Emira unearths someone from Alix’s past, both women find themselves on a crash course that will upend everything they think they know about themselves, and each other. With empathy and piercing social commentary, Such a Fun Age explores the stickiness of transactional relationships, what it means to make someone “family,” and the complicated reality of being a grown up. It is a searing debut for our times.

Every day, funeral director Caitlin Doughty receives dozens of questions about death. What would happen to an astronaut’s body if it were pushed out of a space shuttle? Do people poo when they die? Can Grandma have a Viking funeral? In the tradition of Randall Munroe’s WHAT IF?, Doughty’s new book blends her scientific understanding of the body and the intriguing history behind common misconceptions about corpses to offer factual, hilarious and candid answers to more than fifty urgent questions posed by her youngest fans. Readers will learn what happens if you die on an aeroplane, the best soil for mummifying your dog and whether or not you can preserve your friend’s skull as a keepsake. Featuring illustrations from Dianne Ruiz, WILL MY CAT EAT MY EYEBALLS? will delight anyone interested in the fascinating truth about what will happen to our bodies after we die.

“In a small town in Maine, recently widowed Eveleth “Evvie” Drake rarely leaves her house. Everyone in town, including her best friend, Andy, thinks grief keeps her locked inside, and she doesn’t correct them. In New York, Dean Tenney, former major-league pitcher and Andy’s childhood friend, is struggling with a case of the “yips”: he can’t throw straight anymore, and he can’t figure out why. An invitation from Andy to stay in Maine for a few months seems like the perfect chance to hit the reset button. When Dean moves into an apartment at the back of Evvie’s house, the two make a deal: Dean won’t ask about Evvie’s late husband, and Evvie won’t ask about Dean’s baseball career. Rules, though, have a funny way of being broken–and what starts as an unexpected friendship soon turns into something more. But before they can find out what might lie ahead, they’ll have to wrestle a few demons: the bonds they’ve broken, the plans they’ve changed, and the secrets they’ve kept. They’ll need a lot of help, but in life, as in baseball, there’s always a chance–right up until the last out”–

AN INSTANT NEW YORK TIMES BESTSELLER! From the # 1 New York Times bestselling author of Eat Pray Love and The Signature of All Things, a delicious novel of glamour, sex, and adventure, about a young woman discovering that you don’t have to be a good girl to be a good person. “A spellbinding novel about love, freedom, and finding your own happiness.” – PopSugar “Intimate and richly sensual, razzle-dazzle with a hint of danger.” -USA Today “Pairs well with a cocktail…or two.” -TheSkimm “Life is both fleeting and dangerous, and there is no point in denying yourself pleasure, or being anything other than what you are.” Beloved author Elizabeth Gilbert returns to fiction with a unique love story set in the New York City theater world during the 1940s. Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love. In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves – and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest. Now eighty-nine years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life – and the gusto and autonomy with which she approached it. “At some point in a woman’s life, she just gets tired of being ashamed all the time,” she muses. “After that, she is free to become whoever she truly is.” Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.

*Soon to be a major motion picture starring Cate Blanchett* A whip-smart, hysterical dramedy about a family in crisis after the disappearance of its brilliant, misanthropic matriarch. Bernadette Fox is notorious. To her Microsoft-guru husband, she’s a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she’s a disgrace; to design mavens, she’s a revolutionary architect, and to 15-year-old Bee, she is a best friend and, simply, Mom. Then Bernadette disappears. It began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette’s intensifying allergy to Seattle–and people in general–has made her so agoraphobic that a virtual assistant in India now runs her most basic errands. A trip to the end of the earth is problematic. To find her mother, Bee compiles email messages, official documents, secret correspondence–creating a compulsively readable and touching novel about misplaced genius and a mother and daughter’s role in an absurd world.