Find the #1 NYT Bestseller The Testaments by Margaret Atwood from your local library.
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NEW YORK TIMES BESTSELLER • WINNER OF THE BOOKER PRIZE • A modern masterpiece that “reminds us of the power of truth in the face of evil” (People)—and can be read on its own or as a sequel to Margaret Atwood’s classic, The Handmaid’s Tale. “Atwood’s powers are on full display” (Los Angeles Times) in this deeply compelling Booker Prize-winning novel, now updated with additional content that explores the historical sources, ideas, and material that inspired Atwood. More than fifteen years after the events of The Handmaid’s Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results. Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third: Aunt Lydia. Her complex past and uncertain future unfold in surprising and pivotal ways. With The Testaments, Margaret Atwood opens up the innermost workings of Gilead, as each woman is forced to come to terms with who she is, and how far she will go for what she believes.
More books by Margaret Atwood
In Dearly, Margaret Atwood’s first collection of poetry in over a decade, Atwood addresses themes such as love, loss, the passage of time, the nature of nature and – zombies. Her new poetry is introspective and personal in tone, but wide-ranging in topic. In poem after poem, she casts her unique imagination and unyielding, observant eye over the landscape of a life carefully and intuitively lived. While many are familiar with Margaret Atwood’s fiction–including her groundbreaking and bestselling novels The Handmaid’s Tale, The Testaments, Oryx and Crake, among others–she has, from the beginning of her career, been one of our most significant contemporary poets. And she is one of the very few writers equally accomplished in fiction and poetry. This collection is a stunning achievement that will be appreciated by fans of her novels and poetry readers alike.
3. Cutting Edge
A chilling noir collection featuring fifteen crime and mystery tales and six poems from female authors. Joyce Carol Oates, a queen-pin of the noir genre, has brought her keen and discerning eye to the curation of an outstanding anthology of brand-new top-shelf short stories (and poems by Margaret Atwood!). While bad men are not always the victims in these tales, they get their due often enough to satisfy readers who are sick and tired of the gendered status quo, or who just want to have a little bit of fun at the expense of a crumbling patriarchal society. This stylistically diverse collection will make you squirm in your seat, stay up at night, laugh out loud, and inevitably wish for more. With stories by: Joyce Carol Oates, Margaret Atwood (poems), Valerie Martin, Aimee Bender, Edwidge Danticat, Sheila Kohler, S.A. Solomon, S.J. Rozan, Lucy Taylor, Cassandra Khaw, Bernice L. McFadden, Jennifer Morales, Elizabeth McCracken, Livia Llewellyn, Lisa Lim, and Steph Cha. Praise for Cutting Edge “The indefatigable Joyce Carol Oates gathers a strong list of names . . . . Emerging and established authors provide attention-grabbing short works: especially notable are Edwidge Danticat’s story on the quotidian horror of domestic violence, Bernice L. McFadden’s comic take on the appropriation of racial friendship, and Lisa Lim’s illustrations of a grotesque marriage.” —Alfred Hitchcock Mystery Magazine “But of course, in the end, it isn’t the themes or the innovations on the format of the short story anthology that make the tales collected in Cutting Edge most “feel” as if you were reading Joyce Carol Oates herself. It is the writing. The tight plots and fresh, flowing prose that go about their business until—snap!—the story’s well-oiled mousetrap does its job.” —New York Journal of Books “The 15 stories and six poems in this slim yet weighty all-original noir anthology . . . are razor-sharp and relentless in their portrayal of life, offering snapshots of dysfunction, everyday toil, and brief joy. It is unusual, however, in its scope, zeroing in not only on what the female characters endure but what they dish out . . . . Each story sears but does not cauterize, leaving protagonists and readers raw . . . . Fans of contemporary crime fiction won’t want to miss this one.” —Publishers Weekly
4. War Bears
From the Booker Prize-winning author of The Handmaid’s Tale, comes this historical fiction graphic novel tracing the Golden Age of Canadian comic books. Collects War Bears issues #1-3. Oursonette, a fictional Nazi-fighting superheroine, is created at the peak of World War II by comic book creator Al Zurakowski who dreams of making it big in the early world of comics publishing. A story that follows the early days of comics in Toronto, a brutal war that greatly strains Al personally and professionally, and how the rise of post-war American comics puts an end to his dreams. Internationally and New York Times best-selling novelist Margaret Atwood and acclaimed artist Ken Steacy collaborate for one of the most highly anticipated comic book and literary events!
5. The Complete Angel Catbird
From the Booker Prize-winning author of The Handmaid’s Tale, comes the complete collection of the #1 New York Times bestselling graphic novel from Margaret Atwood! Internationally best-selling and respected novelist Margaret Atwood and acclaimed artist Johnnie Christmas collaborate for one of the most highly anticipated comic book and literary events! A genetic engineer caught in the middle of a chemical accident all of a sudden finds himself with superhuman abilities. With these new powers he takes on the identity of Angel Catbird and gets caught in the middle of a war between animal/human hybrids. What follows is a humorous, action-driven, educational, and pulp- inspired superhero adventure–with a lot of cat puns. Includes previously unpublished art by Margaret Atwood. Collects Angel Catbird volumes 1-3
Can we ever be wholly free? In this book of breathtaking imaginary leaps that conjure dystopias and magical islands, Margaret Atwood holds a mirror up to our own world. The reflection we are faced with, of men and women in prisons literal and metaphorical, is frightening, but it is also a call to arms to speak and to act to preserve our freedom while we still can. And in that, there is hope. Selected from The Handmaid’s Tale and Hag-Seed by Margaret Atwood. VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS. A series of short books by the world’s greatest writers on the experiences that make us human
7. The Secret Loves of Geeks
Following the smash-hit The Secret Loves of Geek Girls comes this brand new anthology featuring comic and prose stories from cartoonists and professional geeks about their most intimate, heartbreaking, and inspiring tales of love, sex and, dating. Including creators of all genders, orientations, and cultural backgrounds. Featuring work by MARGARET ATWOOD (The Handmaid’s Tale), GERARD WAY (Umbrella Academy), PATRICK ROTHFUSS (The Name of the Wind), DANA SIMPSON (Phoebe and Her Unicorn), GABBY RIVERA (America), HOPE LARSON, (Batgirl), CECIL CASTELLUCCI (Soupy Leaves Home), VALENTINE DE LANDRO (Bitch Planet), MARLEY ZARCONE (Shade), SFÉ R. MONSTER (Beyond: A queer comics anthology), AMY CHU (Wonder Woman), a cover by BECKY CLOONAN (Demo) and many more.
8. The Burgess Shale
“The outburst of cultural energy that took place in the 1960s was in part a product of the two decades that came before. It’s always difficult for young people to see their own time in perspective: when you’re in your teens, a decade earlier feels like ancient history and the present moment seems normal: what exists now is surely what has always existed.” Margaret Atwood compares the Canadian literary landscape of the 1960s to the Burgess Shale, a geological formation that contains the fossils of many strange prehistoric life forms. The Burgess Shale is not entirely about writing itself, however: Atwood also provides some insight into the meagre writing infrastructure of that time, taking a lighthearted look at the early days of the institutions we take for granted today—from writers’ organizations, prizes, and grant programs to book tours and festivals.
9. A Trio of Tolerable Tales
Three hilarious Margaret Atwood tales, together in a chapter book for the first time! In Rude Ramsay and the Roaring Radishes, Ramsay runs away from his revolting relatives and makes a new friend with more refined tastes. The second tale, Bashful Bob and Doleful Dorinda, features Bob, who was raised by dogs, and Dorinda, who does housework for relatives who don’t like her. It is only when they become friends that they realize they can change their lives for the better. And finally, to get her parents back, Wenda and her woodchuck companion have to outsmart Widow Wallop in Wandering Wenda and Widow Wallop’s Wunderground Washery. Young readers will become lifelong fans of Margaret Atwood’s work and the kind of wordplay that makes these tales such rich fare, whether they are read aloud or enjoyed independently. Reminiscent of Carl Sandburg’s Rootabaga Stories, these compelling tales are a lively introduction to alliteration. Key Text Features illustrations humour Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.3.4 Determine the meaning of words and phrases as they are used in a text, distinguishing literal from nonliteral language. CCSS.ELA-LITERACY.RL.5.4 Determine the meaning of words and phrases as they are used in a text, including figurative language such as metaphors and similes. CCSS.ELA-LITERACY.RL.5.7 Analyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).
10. The Secret Loves of Geek Girls: Expanded Edition
The Secret Loves of Geek Girls is a non-fiction anthology mixing prose, comics, and illustrated stories on the lives and loves of an amazing cast of female creators. Featuring work by Margaret Atwood (The Heart Goes Last), Mariko Tamaki (This One Summer), Trina Robbins (Wonder Woman), Marguerite Bennett (Marvel’s A-Force), Noelle Stevenson (Nimona), Marjorie Liu (Monstress), Carla Speed McNeil (Finder), and over fifty more creators. It’s a compilation of tales told from both sides of the tables: from the fans who love video games, comics, and sci-fi to those that work behind the scenes: creators and industry insiders.
NEW YORK TIMES BESTSELLER • The beloved author of The Handmaid’s Tale reimagines Shakespeare’s final, great play, The Tempest, in a gripping and emotionally rich novel of passion and revenge. “A marvel of gorgeous yet economical prose, in the service of a story that’s utterly heartbreaking yet pierced by humor, with a plot that retains considerable subtlety even as the original’s back story falls neatly into place.”—The New York Times Book Review Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. Now he’s staging aTempest like no other: not only will it boost his reputation, but it will also heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge, which, after twelve years, arrives in the shape of a theatre course at a nearby prison. Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own. Praise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . . . Part Shakespeare, part Atwood, Hag-Seed is a most delicate monster—and that’s ‘delicate’ in the 17th-century sense. It’s delightful.”—Boston Globe “Atwood has designed an ingenious doubling of the plot of The Tempest: Felix, the usurped director, finds himself cast by circumstances as a real-life version of Prospero, the usurped Duke. If you know the play well, these echoes grow stronger when Felix decides to exact his revenge by conjuring up a new version of The Tempest designed to overwhelm his enemies.”—Washington Post “A funny and heartwarming tale of revenge and redemption . . . Hag-Seed is a remarkable contribution to the canon.”—Bustle
12. The Heart Goes Last
Margaret Atwood puts the human heart to the ultimate test in an utterly brilliant new novel that is as visionary as The Handmaid’s Tale and as richly imagined as The Blind Assassin. Stan and Charmaine are a married couple trying to stay afloat in the midst of an economic and social collapse. Job loss has forced them to live in their car, leaving them vulnerable to roving gangs. They desperately need to turn their situation around—and fast. The Positron Project in the town of Consilience seems to be the answer to their prayers. No one is unemployed and everyone gets a comfortable, clean house to live in . . . for six months out of the year. On alternating months, residents of Consilience must leave their homes and function as inmates in the Positron prison system. Once their month of service in the prison is completed, they can return to their “civilian” homes. At first, this doesn’t seem like too much of a sacrifice to make in order to have a roof over one’s head and food to eat. But when Charmaine becomes romantically involved with the man who lives in their house during the months when she and Stan are in the prison, a series of troubling events unfolds, putting Stan’s life in danger. With each passing day, Positron looks less like a prayer answered and more like a chilling prophecy fulfilled.
13. Dire Cartographies
In honor of the thirtieth anniversary of The Handmaid’s Tale: Margaret Atwood describes how she came to write her utopian, dystopian works. The word “utopia” comes from Thomas More’s book of the same name—meaning “no place” or “good place,” or both. In “Dire Cartographies,” from the essay collection In Other Worlds, Atwood coins the term “ustopia,” which combines utopia and dystopia, the imagined perfect society and its opposite. Each contains latent versions of the other. Following her intellectual journey and growing familiarity with ustopias fictional and real, from Atlantis to Avatar and Beowulf to Berlin in 1984 (and 1984), Atwood explains how years after abandoning a PhD thesis with chapters on good and bad societies, she produced novel-length dystopias and ustopias of her own. “My rules for The Handmaid’s Tale were simple,” Atwood writes. “I would not put into this book anything that humankind had not already done, somewhere, sometime, or for which it did not already have the tools.” With great wit and erudition, Atwood reveals the history behind her beloved creations.
14. The Stone Mattress
Margaret Atwood returns to short fiction with nine tales of acute psychological insight and turbulent relationships bringing to mind her award-winning 1996 novel, Alias Grace. A recently widowed fantasy writer is guided through a stormy winter evening by the voice of her late husband in “Alphinland,” the first of three loosely linked stories about the romantic geometries of a group of writers and artists. In “The Freeze-Dried Bridegroom,” a man who bids on an auctioned storage space has a surprise. In “Lusus Naturae,” a woman born with a genetic abnormality is mistaken for a vampire. In “Torching the Dusties,” an elderly lady with Charles Bonnet syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence. And in “Stone Mattress,” a long-ago crime is avenged in the Arctic via a 1.9 billion-year-old stromatolite. In these nine tales, Margaret Atwood is at the top of her darkly humorous and seriously playful game.
15. On Writers and Writing
What is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and the development of her writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain – or excuse! – their activities, looking at what costumes they have seen fit to assume, what roles they have chosen to play. In her final chapter she takes up the challenge of the book’s title: if a writer is to be seen as ‘gifted’, who is doing the giving and what are the terms of the gift? Margaret Atwood’s wide and eclectic reference to other writers, living and dead, is balanced by anecdotes from her own experiences as a writer, both in Canada and on the international scene. The lightness of her touch is underlined by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of western literature.
Toby and Ren return to the MaddAddamite cob house after rescuing Amanda and assuming the duties of the Craker’s religious overseers while Zeb searches for the founder of the pacifist green religion he left years earlier.
17. The Circle Game
The appearance of Margaret Atwood’s first major collection of poetry marked the beginning of a truly outstanding career in Canadian and international letters. The voice in these poems is as witty, vulnerable, direct, and incisive as we’ve come to know in later works, such as Power Politics, Bodily Harm, and Alias Grace. Atwood writes compassionately about the risks of love in a technological age, and the quest for identity in a universe that cannot quite be trusted. Containing many of Atwood’s best and most famous poems, The Circle Game won the 1966 Governor General’s Award for Poetry and rapidly attained an international reputation as a classic of modern poetry.
18. Bluebeard’s Egg
With the publication of the best-selling The Handmaid’s Tale in 1986, Margaret Atwood’s place in North American letters was reconfirmed. Poet, short story writer, and novelist, she was acclaimed “one of the most intelligent and talented writers to set herself the task of deciphering life in the late twentieth century.”* With Bluebeard’s Egg, her second short story collection, Atwood covers a dramatic range of storytelling, her scope encompassing the many moods of her characters, from the desolate to the hilarious. The stories are set in the 1940s, 1950s, and 1980s and concern themselves with relationships of various sorts. There is the bond between a political activist and his kidnapped cat, a woman and her dead psychiatrist, a potter and the group of poets who live with her and mythologize her, an artist and the strange men she picks up to use as models. There is a man who finds himself surrounded by women who are literally shrinking, and a woman whose life is dominated by a fear of nuclear warfare; there are telling relationships among parents and children. By turns humorous and warm, stark and frightening, Bluebeard’s Egg explores and illuminates both the outer world in which we all live and the inner world that each of us creates. *Le Anne Schreiber, Vogue
When first published in 1972, Survival was considered the most startling book ever written about Canadian literature. Since then, it has continued to be read and taught, and it continues to shape the way Canadians look at themselves. Distinguished, provocative, and written in effervescent, compulsively readable prose, Survival is simultaneously a book of criticism, a manifesto, and a collection of personal and subversive remarks. Margaret Atwood begins by asking: “What have been the central preoccupations of our poetry and fiction?” Her answer is “survival and victims.” Atwood applies this thesis in twelve brilliant, witty, and impassioned chapters; from Moodie to MacLennan to Blais, from Pratt to Purdy to Gibson, she lights up familiar books in wholly new perspectives. This new edition features a foreword by the author.
20. Life Before Man
From the author of the New York Times bestselling novels The Handmaid’s Tale—now an Emmy Award-winning Hulu original series—and Alias Grace, now a Netflix original series. Imprisoned by walls of their own construction, here are three people, each in midlife, in midcrisis, forced to make choices–after the rules have changed. Elizabeth, with her controlled sensuality, her suppressed rage, is married to the wrong man. She has just lost her latest lover to suicide. Nate, her gentle, indecisive husband, is planning to leave her for Lesje, a perennial innocent who prefers dinosaurs to men. Hanging over them all is the ghost of Elizabeth’s dead lover…and the dizzying threat of three lives careening inevitably toward the same climax.
21. Dancing Girls
This splendid volume of short fiction testifies to Margaret Atwood’s startlingly original voice, full of a rare intensity and exceptional intelligence. Her men and women still miscommunicate, still remain separate in different rooms, different houses, or even different worlds. With brilliant flashes of fantasy, humor, and unexpected violence, the stories reveal the complexities of human relationships and bring to life characters who touch us deeply, evoking terror and laughter, compassion and recognition–and dramatically demonstrate why Margaret Atwood is one of the most important writers in English today.
22. Lady Oracle
An original and compelling work in which Margaret Atwood passes one woman’s bizarre life through the prism of her unique literary vision. The shy, awkward wife of a perpetual radical, Joan Foster is a formerly obese woman whose delicate equilibrium is threatened by the fact that the several lives she has lived separately and secretly are coming together and will be exposed. She is newly and notoriously famous as a bestselling author; she writes gothic novels under a nom de plume; she is having a hidden affair. Love, fear, understanding, suspense, sensuality, and humour – there is hardly an emotional current that is not touched in “Lady Oracle,” and with a depth, vitality, and wit that are rare in any time. “From the Hardcover edition.”
23. The Robber Bride
From the #1 New York Times bestselling author of The Handmaid’s Tale One of Margaret Atwood’s most unforgettable characters lurks at the center of this intricate novel like a spider in a web. The glamorous, irresistible, unscrupulous Zenia is nothing less than a fairy-tale villain in the memories of her former friends. Roz, Charis, and Tony—university classmates decades ago—were reunited at Zenia’s funeral and have met monthly for lunch ever since, obsessively retracing the destructive swath she once cut through their lives. A brilliantly inventive fabulist, Zenia had a talent for exploiting her friends’ weaknesses, wielding intimacy as a weapon and cheating them of money, time, sympathy, and men. But one day, five years after her funeral, they are shocked to catch sight of Zenia: even her death appears to have been yet another fiction. As the three women plot to confront their larger-than-life nemesis, Atwood proves herself a gleefully acute observer of the treacherous shoals of friendship, trust, desire, and power.
24. Alias Grace
In Alias Grace, the bestselling author of The Handmaid’s Tale takes readers into the life of one of the most notorious women of the nineteenth century—recently adapted into a 6-part Netflix original mini-series by director Mary Harron and writer/actress Sarah Polley. It’s 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders. An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember. What will he find in attempting to unlock her memories? Captivating and disturbing, Alias Grace showcases bestselling, Booker Prize-winning author Margaret Atwood at the peak of her powers.
25. In Other Worlds
A series of essays explores essential truths about the modern world and the author’s personal relationship with the science fiction genre, in a volume complemented by key reviews and her three unpublished Ellmann Lectures.
26. Murder in the Dark
First published in 1983, Murder in the Dark is Margaret Atwood’s seventh work of fiction or her tenth book of poetry, depending on how you slice it. These short prose forms range from fictionalized autobiography through prose-poetry, mini-romance, and mini–science fiction. A feast of comic entertainment, Murder in the Dark is Atwood at her wittiest, most thoughtful, and most provoking.
27. The Handmaid’s Tale
An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate “Handmaids” under the new social order who have only one purpose: to breed. In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred’ s persistent memories of life in the “time before” and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood’s devastating irony, wit, and acute perceptive powers in full force, The Handmaid’s Tale is at once a mordant satire and a dire warning.
28. The Penelopiad
The internationally acclaimed Myths series brings together some of the finest writers of our time to provide a contemporary take on some of our most enduring stories. Here, the timeless and universal tales that reflect and shape our lives–mirroring our fears and desires, helping us make sense of the world–are revisited, updated, and made new. Margaret Atwood’s Penelopiad is a sharp, brilliant and tender revision of a story at the heart of our culture: the myths about Penelope and Odysseus. In Homer’s familiar version, The Odyssey, Penelope is portrayed as the quintessential faithful wife. Left alone for twenty years when Odysseus goes to fight in the Trojan Wars, she manages to maintain the kingdom of Ithaca, bring up her wayward son and, in the face of scandalous rumours, keep over a hundred suitors at bay. When Odysseus finally comes home after enduring hardships, overcoming monsters and sleeping with goddesses, he kills Penelope’s suitors and–curiously–twelve of her maids. In Homer the hanging of the maids merits only a fleeting though poignant mention, but Atwood comments in her introduction that she has always been haunted by those deaths. The Penelopiad, she adds, begins with two questions: what led to the hanging of the maids, and what was Penelope really up to? In the book, these subjects are explored by Penelope herself–telling the story from Hades — the Greek afterworld – in wry, sometimes acid tones. But Penelope’s maids also figure as a singing and dancing chorus (and chorus line), commenting on the action in poems, songs, an anthropology lecture and even a videotaped trial. The Penelopiad does several dazzling things at once. First, it delves into a moment of casual brutality and reveals all that the act contains: a practice of sexual violence and gender prejudice our society has not outgrown. But it is also a daring interrogation of Homer’s poem, and its counter-narratives — which draw on mythic material not used by Homer – cleverly unbalance the original. This is the case throughout, from the unsettling questions that drive Penelope’s tale forward, to more comic doubts about some of The Odyssey’s most famous episodes. (“Odysseus had been in a fight with a giant one-eyed Cyclops, said some; no, it was only a one-eyed tavern keeper, said another, and the fight was over non-payment of the bill.”) In fact, The Penelopiad weaves and unweaves the texture of The Odyssey in several searching ways. The Odyssey was originally a set of songs, for example; the new version’s ballads and idylls complement and clash with the original. Thinking more about theme, the maids’ voices add a new and unsettling complex of emotions that is missing from Homer. The Penelopiad takes what was marginal and brings it to the centre, where one can see its full complexity. The same goes for its heroine. Penelope is an important figure in our literary culture, but we have seldom heard her speak for herself. Her sometimes scathing comments in The Penelopiad (about her cousin, Helen of Troy, for example) make us think of Penelope differently – and the way she talks about the twenty-first century, which she observes from Hades, makes us see ourselves anew too. Margaret Atwood is an astonishing storyteller, and The Penelopiad is, most of all, a haunting and deeply entertaining story. This book plumbs murder and memory, guilt and deceit, in a wise and passionate manner. At time hilarious and at times deeply thought-provoking, it is very much a Myth for our times.
29. Good Bones
A treasure trove of collected works from the legendary author of The Handmaid’s Tale and Alias Grace Queen Gertrude gives Hamlet a piece of her mind. An ugly sister and a wicked stepmother put in a good word for themselves. A reincarnated bat explains how Bram Stoker got Dracula hopelessly wrong. Bones and Murder is a bewitching cocktail of prose and poetry, fiction and fairytales, as well as some of Atwood’s own illustrations. It’s pure distilled Atwood: deliciously strong and bittersweet. ‘A marvellous miniature sample case of Atwood’s sensuous and sardonic talents’ Times Literary Supplement
30. Eating Fire
The evolution of Margaret Atwood’s poetry illuminates a major literary talent. Through bus trips and postcards, wilderness and trivia, she reflects the passion and energy of a writer intensely engaged with her craft and the world. In this volume, two previous selections, Poems 1965-1975 and Poems 1976-1986 are presented together with Morning in the Burned House.
31. Strange Things
Margaret Atwood’s witty and informative book focuses on the imaginative mystique of the wilderness of the Canadian North. She discusses the ‘Grey Owl Syndrome’ of white writers going native; the folklore arising from the mysterious– and disastrous — Franklin expedition of the nineteenth century; the myth of the dreaded snow monster, the Wendigo; the relations between nature writing and new forms of Gothic; and how a fresh generation of women writers in Canada have adapted the imagery of the Canadian North for the exploration of contemporary themes of gender, the family and sexuality. Writers discussed include Robert Service, Robertson Davies, Alice Munro, E.J. Pratt, Marian Engel, Margaret Laurence, and Gwendolyn MacEwan. This superbly written and compelling portrait of the mysterious North is at once a fascinating insight into the Canadian imagination, and an exciting new work from an outstanding literary presence.
32. Curious Pursuits
By the author of The Handmaid’s Tale and Alias Grace Curious Pursuits is a collection of personal essays, book reviews and articles from the fierce, ingenious mind of Margaret Atwood, ranging from 1970 to the present. Atwood remembers moving to London as a starry-eyed teenager in 1964 and her first attempts at gardening; she discusses feminist utopias in fiction, and writes moving odes on beloved classics like Anne of Green Gables. Personal life and fiction are shelved side by side in this revealing, insightful collection of Atwood’s non-fiction writing. PRAISE FOR Curious Pursuits ‘A goldmine’ Sunday Times ‘Reminds one that Atwood is a superbly funny (as well as serious) writer; her wit is winningly relaxed and genial as well as sharp’ Spectator ‘The glimpses into the writing process and her reflections on identity will delight fans of her novels, who will also recognise flashes of her mordant wit’ Times
33. Moral Disorder
Atwood triumphs with these dazzling, personal stories in her first collection since Wilderness Tips. In these ten interrelated stories Atwood traces the course of a life and also the lives intertwined with it, while evoking the drama and the humour that colour common experiences — the birth of a baby, divorce and remarriage, old age and death. With settings ranging from Toronto, northern Quebec, and rural Ontario, the stories begin in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative goes back in time to the forties and moves chronologically forward toward the present. In “The Art of Cooking and Serving,” the twelve-year-old narrator does her best to accommodate the arrival of a baby sister. After she boldly declares her independence, we follow the narrator into young adulthood and then through a complex relationship. In “The Entities,” the story of two women haunted by the past unfolds. The magnificent last two stories reveal the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage. This is vintage Atwood, writing at the height of her powers. From the Hardcover edition.
34. The Year Of The Flood
Adam One, the kindly leader of the God’s Gardeners – a religion devoted to the melding of science and religion, the preservation of all species, the tending of the Earth, and the cultivation of bees and organic crops on flat rooftops – has long predicted the Waterless Flood. Now it has occured, obliterating most human life. Two women have avoided it- the young trapeze-dancer, Ren, locked into the high-end sex club, Scales and Tails; and former SecretBurgers meat-slinger turned gardener, Toby, barricaded into the luxurious AnooYoo Spa, where many of the treatments are edible. Have others survived? Ren’s bioartist friend Amanda, or the MaddAddam eco-fighters? Ren’s one-time teenage lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the CorpSeCorps, the shadowy and corrupt policing force of the ruling powers … Meanwhile, in the natural world, gene-spliced life forms are proliferating- the lion/lamb blends, the Mo’hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through a ruined world, singing their devotional hymns and faithful to their creed and to their Saints – Saint Francis Assisi, Saint Rachel Carson and Saint Al Gore among them – what odds for Ren and Toby, and for the human race? By turns dark, tender, violent, thoughtful and uneasily hilarious, The Year of the Flood is Atwood at her most effective.
Payback is an intelligent, wide-ranging book that examines the metaphor of debt and the role it takes in our lives. Debt is like air – something we take for granted and never think about until things go wrong. This is not a book about debt management or high finance, but about debt as a very old, central motif in religion and literature and also in the structuring of human societies. She looks at the language of debt in the Old Testament – what was ‘owed’ to God, and why. She then turns to investigate debt as sin in medieval and Elizabethan literature, before it develops into a plot-driving concept in nineteenth and twentieth century novels. The debts to society and to nature are discussed in the final essay in this book as Atwood explores how debt as a metaphor affects our understanding of the environment and death. Topical, enlightening and probing, this is the work of one of the most gifted writers of our generation.
36. The Tent
A collection of writings encompasses a range of literary forms, including parodies, playlets, monologues, and meditations, dealing with such topics as the relationships between men and women and the fleeting thrills of youth and fame.
37. The Door
A collection of poems that gravitate between the personal and political, the lyrical and meditative, and the ironic and prophetic, exploring such themes as the writing of poetry, the awareness of mortality, and the passage of time.
38. Writing with Intent
The first collection of nonfiction work by the author in more than two decades features fifty-seven essays and reviews on a wide range of topics, including John Updike, Toni Morrison, grunge, September 11th, and Gabriel Garca Mrquez, among others. Reprint.
39. Up in the Tree
Two children who live in a tree don’t know what to do when beavers take their ladder, and after rescue comes at the hands of a friend, they find a way to return without worry.
41. Moving Targets
The most precious treasure of this collection is that it gives us the rich back-story and diverse range of influences on Margaret Atwood’s work. From the aunts who encouraged her nascent writing career to the influence of George Orwell’s Nineteen Eighty-Four on The Handmaid’s Tale, we trace the movement of Atwood’s fertile and curious mind in action over the years.Atwood’s controversial political pieces, Napoleon’s Two Biggest Mistakes and Letter to America — both not-so-veiled warnings about the repercussions of the war in Iraq — also appear, alongside pieces that exhibit her active concern for the environment, the North, and the future of the human race. Atwood also writes about her peers: John Updike, Marina Warner, Italo Calvino, Marian Engel, Toni Morrison, Angela Carter, Gabriel Garcia Marquez, Mordecai Richler, Elmore Leonard, and Ursula Le Guin.This is a landmark volume from a major writer whose worldwide readership is in the millions, and whose work has influenced and entertained generations. Moving Targets is the companion volume to Second Words.
42. Oryx And Crake
From the #1 New York Times bestselling author of The Handmaid’s Tale Oryx and Crake is at once an unforgettable love story and a compelling vision of the future. Snowman, known as Jimmy before mankind was overwhelmed by a plague, is struggling to survive in a world where he may be the last human, and mourning the loss of his best friend, Crake, and the beautiful and elusive Oryx whom they both loved. In search of answers, Snowman embarks on a journey–with the help of the green-eyed Children of Crake–through the lush wilderness that was so recently a great city, until powerful corporations took mankind on an uncontrolled genetic engineering ride. Margaret Atwood projects us into a near future that is both all too familiar and beyond our imagining.
44. Story of a Nation
Inspired by history,Story of a Nationis a beautifully illustrated collection of original stories from some of Canada’s most celebrated and best-loved authors. Twelve of the country’s finest writers, including Margaret Atwood, Roch Carrier, Timothy Findley, Antonine Maillet, Alberto Manguel and Michael Turner, when presented with the question, What are the great events in Canadian history? responded by travelling into the past to discover the moments, both familiar and unexpected, that shaped our nation. Drawing on their skills as master storytellers, the contributors to this collection offer wonderfully imaginative accounts of what it’s like to make history. Margaret Atwood casts her eye back to 1759 and brilliantly captures the journal entries of a frightened French woman, trapped in Québec City as the English forces attack. In “The First of July,” David Macfarlane’s youthful narrator loses himself in the papers of an elderly neighbour, and through the records of her past, experiences the heartbreaking, stunting loss of war. In Thomas King’s hilarious story, “Where the Borg Are,” a young boy named Milton Friendlybear offers a Star Trekkian reinterpretation of the Indian Act, linking its significance to the fate of the universe. And revisiting an occasion of huge national pride, Michelle Berry tells the story of a four-year-old girl caught up in the excitement of the 1972 Summit Series, hopeful that the passion of hockey will hold her crumbling family together. Each of these magical stories is further brought to life by an accompanying visual narrative. Vividly illustrating the joy, sorrow, anger and passion of more than two centuries of our history, here are fifty unforgettable images: the Belgian Queen, a seductive reminder that the Klondike of Roch Carrier’s story was anything but a purely masculine domain; Kurt Meyer, the SS officer who represented evil in the childhood of John Ralston Saul and of many other children whose fathers landed on Juno beach in June 1944; and Viola Desmond at the Hi-Hat Club, whose glamour and elegance contrasted starkly with the small-minded racism so powerfully chronicled by Dionne Brand. With a preface by Rudyard Griffiths, executive director of The Dominion Institute, and introduced by distinguished historian Christopher Moore,Story of a Nationis a moving celebration of Canada’s extraordinary history and our exceptional writers.
45. The Blind Assassin: A Novel
Iris describes the 1945 death of her sister, who drives her car off a bridge, followed, two years later, by the death of her husband, in a story that features a novel-within-a-novel about two unnamed lovers who meet in a dark backstreet room.
A woman searching for her missing father travels with her lover and another couple to a remote island in northern Quebec, where they encounter violence and death
47. Cat’s Eye
Years after painter Elaine Risley flees Toronto for Vancouver, she returns to search for long-missing parts of her life and pursue the elusive Cordelia, her best friend and sometimes enemy
48. Wilderness Tips
Some writers have moments when they change the way we look at ourselves and the world, but Margaret Atwood has them all the time. In this new work, she tells tales that take the reader to familiar, strange, and secret places of the imagination, with widely ranging settings for thefying stories. Copyright © Libri GmbH. All rights reserved.
49. Two Solicitudes
In March 1995, Victor-Levy Beaulieu, the well-known French-Canadian novelist and man of letters, spent a week in Toronto, staying with Margaret Atwood. That week in Toronto was matched by a return engagement in May 1995, when Margaret Atwood visited Victor-Levy Beaulieu’s country home near Trois-Pistoles, Quebec. There, over ten days, they discussed many topics of mutual interest that underlie literature: the importance of childhood, of myth, of belonging to territory, the real versus the imaginary world, power and the lack of it, and their own works.
50. A Second Skin
In A Second Skin, top contemporary writers explore the significance of clothes which have marked a particular point in their lives, touching on themes such as identity, memory, family, sexulaity, rebellion, and tradition. From Joan Smith’s rumination on underewar and sexual politics to Helen Dunmore’s sumptuous description of her mother’s red velvet dress, this varied and resonant collection examines the place clothes hold in our lives.
51. The Journals of Susanna Moodie
The landmark collaboration of two pre-eminent Canadian artists in an attractive, affordable format. As fledgling artists in their respective fields, Margaret Atwood and Charles Pachter were enthusiastic collaborators in a unique art form, the livre d’artiste – the marriage of original graphic work with literary text. Beginning in the mid-sixties, while both were still students, they worked together on five limited-edition handmade books, volumes of Atwood’s poetry with Pachter’s interpretive artwork. The culmination of their collaboration, the work that is considered their masterpiece, is The Journals of Susanna Moodie. In her reading of Susanna Moodie’s chronicles of pioneer life in nineteenth-century Canada, Atwood found the haunting and timeless themes that still obsess us. The poems of The Journals of Susanna Moodie were first published in 1970 in a standard format. This sequence of poems is regarded as a classic, in addition to being connected with her later novel, Alias Grace. In 1980, Pachter was able to add his own vibrant, evocative images and create the version they had dreamt of: a hand-set, hand-printed illustrated limited edition of 120 numbered copies. This popular edition is a faithful re-creation of the original, accompanied by an introductory memoir by Pachter, describing his friendship with Atwood and the creative process behind this breathtaking work, and a foreword by David Staines, who pays homage to Atwood, Pachter, and Moodie and their central places in our art and literature.
52. Power Politics
A groundbreaking meditation on sexual politics, love, and human tenacity from the world-renowned pioneer of feminist writing and prophetic author of The Handmaid’s Tale, Margaret Atwood. When it first appeared in 1971, Margaret Atwood’s Power Politics startled readers with its vital dance of woman and man. It still startles today, and is just as iconoclastic as ever. These poems occupy all at once the intimate, the political, and the mythic. Here Atwood makes us realize that we may think our own personal dichotomies are unique, but really they are multiple, universal. Clear, direct, wry, and unrelenting — Atwood’s poetic powers are honed to perfection in this seminal work from her early career.
53. Bodily Harm
A powerful and brilliantly crafted novel, Bodily Harm is the story of Rennie Wilford, a young journalist whose life has begun to shatter around the edges. Rennie flies to the Caribbean to recuperate, and on the tiny island of St. Antoine, she is confronted by a world where her rules for survival no longer apply. By turns comic, satiric, relentless, and terrifying, Margaret Atwood’s Bodily Harm is ultimately an exploration of the lust for power, both sexual and political, and the need for compassion that goes beyond what we ordinarily mean by love”.The acerbic wit that is an Atwood trademark…political insights…comedy and pathos, and in the end, tragedy”. — Chicago Sun-TimesHumor and satire, thoughtfulness, and lots of action make this a jam-packed novel”. — The Washington Post”Romance and adventure by a female Graham Greene at his peak”. — Marilyn French, author of The Women’s Room”This is a story about one of today’s women…Bodily Harm is strong stuff, and the writing is nearly flawless”. — People
54. Feminism and the Postmodern Impulse
Michael analyzes the intersections between feminist politics and postmodern aesthetics as demonstrated in recent Anglo-American fiction. While much has been written on various aspects of postmodernism and postmodern fiction and of feminism and feminist fiction, very little attention has been given to the postmodern aesthetic strategies that surface in post-World War II feminist fiction. Feminism and the Postmodern Impulse examines ways in which many widely read and acclaimed novels with feminist impulses engage and transform subversive aesthetic strategies usually associated with postmodern fiction to strengthen their feminist political edge. The author discusses many examples of recent feminist-postmodern fiction, and explores in greater depth Doris Lessing’s The Golden Notebook, Marge Piercy’s Woman on the Edge of Time, Margaret Atwood’s The Handmaid’s Tale, and Angela Carter’s Nights at the Circus. She shows that feminist-postmodern fiction’s emphasis on the material historical situation–the link to activist politics and commitment to enacting concrete changes in the world, and thus the need to reach a large reading public–often results in a blending and transformation of postmodern and realist aesthetic forms. Moreover, feminist fiction uses deconstructive strategies not only to disrupt the status quo but also to create a space for reconstruction, particularly of recreating new forms of female subjectivities and feminist aesthetics.
55. Morning in the Burned House
A collection of intimate reflections on such diverse subjects as classical history, popular mythology, love, and the fragility of nature
56. Princess Prunella and the Purple Peanut
Presenting Princess Prunella. Proud, prissy, and pretty, and unhappily very spoiled, she lives in a pink palace with her pinheaded parents, her three plump pussycats, and her prize puppy dog, Pug. Her passion? Her very own person. Her aspiration? To marry a pinheaded prince with piles of pin money, who will praise and pamper her. From Margaret Atwood–the novelist, poet, short story writer and author of such contemporary bestsellers as” The Handmaid’s Tale” and “The Robber Bride”–comes a modern fairy tale with a classic message. Illustrated with elegant humor by Maryann Kovalski, “Princess Prunella and the Purple Peanut “revels in the smart-alecky humor of its impertinent heroine and an alliteration of p’s that gives the story a tongue-twisting energy with surprises at every turn. Children, and adults who love reading to children, will love reading princess prunella in the same way that they love reading Dr. Suess for the sheer fun of the language. But there’s something more, too, as a born storyteller creates, with the mere choice of a word, an indelibly lively portrait of a spoiled little girl who is about to get her much-deserved comeuppance. Selection of Book-of-the-Month Club. 53,000 copies in print.
57. The Edible Woman
Ever since her engagement, the strangest thing has been happening to Marian McAlpin: she can’t eat. First meat. Then eggs, vegetables, cake, pumpkin seeds–everything! Worse yet, she has the crazy feeling that she’s being eaten. Marian ought to feel consumed with passion, but she really just feels…consumed. A brilliant and powerful work rich in irony and metaphor, “The Edible Woman” is an unforgettable masterpiece by a true master of contemporary literary fiction.
58. Margaret Atwood
A prolific writer and versatile social critic, Canadian novelist and poet Margaret Atwood has recently published Bluebeard’s Egg (short stories), Interlunar (poetry), and The Handmaid’s Tale a critically acclaimed best-selling novel. This international collection of essays evaluates the complete body of her work—both the acclaimed fiction and the innovative poetry. The critics represented here—American, Australian, and Canadian—address Atwood’s handling of such themes as feminism, ecology, the gothic novel, and the political relationship between Canada and the United States. The essays on Atwood’s novels introduce the general reader to her development as a writer, as she matures from a basically subjective, poetic vision, seen in Surfacing and The Edible Woman, to an increasingly engaged, political stance, exemplified by The Handmaid’s Tale. Other essays examine Atwood’s poetry, from her transformation of the Homeric model to her criticisms of the United States’ relationship with Canada. The last two critical essays offer a unique view of Atwood through an investigation of her use of the concept of shamanism and through a presentation of eight of her vivid watercolors. The volume ends with Atwood presenting her own views in an interview with Jan Garden Castro and in a conversation between Atwood and students at the University of Tampa, Florida.
60. Selected Poems II
This collection of seventy-three poems includes poems culled from “Two Headed Poems,” “True Stories,” and “Interlunar,” as well as seventeen poems not previously published in America in book form
61. Selected Poems, 1965-1975
Poems deal with death, self-image, disasters, politics, children, evolution, history, the news, language, dreams, animals, and love.
62. Second Words
Discusses the process of writing and examines the work of modern writers, including Anne Sexton, E.L. Doctorow, Erica Jong, Marge Piercy, and Al Purdy
63. True Stories
This book is Margaret Atwood’s ninth collection of poems.
Last updated on Wednesday, July 27, 2022